Profiles in History Hollywood Auction 83

Profiles in History have teamed up with Invaluable for Auction 83, an enormous, three-day event that opens tomorrow at 11:00 a.m. and includes items that date back to the silent era.

If It’s Tuesday, This Must Be Belgium (1969)

Underneath that stereotypical late-60s conservative backlash veneer are some really interesting points being made, points that director Mel Stuart sadly seems to have not noticed.

Gold (1934)

Gold is an odd little bird, irresistible and entertaining despite being a bit thin on plot. It’s believable and thoughtful and the performances range from good to fantastic. It’s hard to imagine getting all worked up over alchemy here in the amazing futuristic year of 2016, but it’s easy to do with Gold.

Who’s Afraid of Virginia Woolf? (1966)

The failures of the women in Woolf are reflective of the time in which it was made, which is ironic, considering this was very clearly intended to be an indictment of America’s sociocultural clime. It succeeds as being timeless far better than almost any other social consciousness film, and certainly is one of Albee’s best in this regard, but the need for the play to destroy Honey and Martha is telling.

The King and Four Queens (1956)

Filmed in the beautiful St. George, Utah area and with cinematography by Lucien Ballard, The King and Four Queens is light on plot but full of gorgeous scenery.

The Private Affairs of Bel Ami (1947)

Based on the Guy de Maupassant novel Bel Ami published in 1885, The Private Affairs of Bel Ami is the story of an unmitigated cad and his insatiable quest for money and power and women. Curiously, the film is serene, tasteful, sometimes even bland, surely in the service of the Production Code which was still in effect at the time.

Bulldog Drummond (1929) and Calling Bulldog Drummond (1951)

Bulldog Drummond (1929) was not the first film based on the popular British character, but it was the first talking film, and thanks to being a product of Sam Goldwyn’s exacting (though sometimes baffling) standards, it’s probably one of the best early talkies made. It’s fun and exciting and shockingly modern, with a camera that moves and audio that’s easy to hear and jokes that don’t fall flat — you can’t say that about most early talkies.