Raiders of Ghost City #8: Death Laughs Last

raiders-poster-325pxLast week on Raiders of Ghost City! The lead bad guy, Count Manfried von Rinkton, gets killed dead by Idaho Jones, and after the dude only had a half dozen lines and four minutes of screen time, tops. I’m pretty upset that von Rinkton died so quickly, not because it’s indicative of the half-assed screenwriting on this fershlugginer serial, but because I had come up with the great new nickname “Der Dinkerplatz,” and now I won’t get a chance to use it. After Der Dinkerplatz (ha!) dies in a humiliating crumple on the cold cave floor, Idaho fishes Captain Steve “Bland” Clark out of the torture tub, who immediately rifles through some pockets and finds another 1752 coin (the same one used in previous episodes, but we’re not supposed to notice) and a business card leading to San Francisco. Meanwhile, the race is on to get Der Dinkerplatz’s (hahaha!) luggage and all the super amazing secrets everyone assumes are held within. Idaho and Steve get the luggage, but are pursued by Braddock and Rawhide, fresh after 26 hours of rest thanks to the doctor — on the side of the good guys, mind you — tricking him into swallowing a family size bottle of sleeping pills. When we last left our heroes and villains, they were holed up on one of the picturesque movie ranches of the California plains, shooting blanks at each other and peeking up over rocks like curious, sun-lazy lizards.

As always, feel free to follow along on zee YouTubez here.

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Generally speaking, the recaps for Raiders are pretty well done, but lately Alex, Trina and whoever this telegraph code crackin’ guy is have been given scenes without any purpose other than to recite some stilted exposition for the benefit of a drowsy audience. Because how else can one create tension unless one completely undermines the threat by turning the bad guys into background characters, right?

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Maybe if those opening blurbs actually had anything to do with the serial, we wouldn’t need to relegate Alex and Trina to Exposition Town, and they could come back to Oro Grande and be menacing.

Out in the plains, Braddock and Rawhide start an avalanche to try to bury Idaho and Steve, who have von Rankin’s suitcase. What our little henchmen do not realize is that (a) that is a decoy bag, not the one they want, and (b) if they bury our heroes they’ll also bury the bag that they so desperately want. So it’s for the best that the avalanche does nothing but make Capt. Bland dusty and whiny.

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It looks like I caught Idaho in the middle of speaking, but I assure you he stands there with his mouth open like that for several seconds, because that is how he looks when he has to think things.

Last week I noted that I thought these scenes were filmed at Corrigan Movie Ranch. This week I know better: They were filmed near a rock dubbed “Doglips” by Electric Dylan Lad at the amazing Iverson Movie Ranch blog. He has matched up locations from numerous films to dozens of distinctive rocks and formations on what used to be the Iverson Movie Ranch. Every post is amazing: He’s found camera track from The Harvey Girls still lying in place, enormous rocks cemented together for a little movie magic, plus the tomb of Christ with some bonus Regis Toomey content.

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Idaho rides off with the decoy bag as the henchmen give chase. One of the more egregious attempts at killing time in Raiders are the excessive chase scenes; if I’ve learned anything from this serial, it’s that there is only so much exciting royalty-free orchestral scores accompanied by cowboys tearing through the plains on horseback that I can handle. That said, I am impressed that many of the actors do their own riding, though during more complicated stunts the stuntmen used are never the same size or even in the same color of clothing that the actors are. Great for snark, not so great for the movie’s integrity.

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The chase takes Idaho right past this distinctive rock, just to the left of center above, the same one you can see used for the header of the Iverson Movie Ranch blog. Electric Dylan Lad has called the rock Wrench Rock or, in the early days of his investigations on the ranch, “Bobby.”

Idaho and his stunt double eventually get away from the henchmen, so he returns to the Wells Fargo, where Steve and Cathy are going through von Rinkton’s real suitcase.

raiders8-5Idaho is briefly confused by clothing.

 

After approximately 62 hours of horseback riding, stock music and almost-avalanches, our intrepid trio discover von Rinkton wasn’t stupid enough to keep important Prussian papers in a suitcase entrusted to a series of Statlers and/or Waldorfs. You remember the resident Oro Grande Statler and/or Waldorf, the guys laughing over Rawhide’s near overdose in last week’s episode. Every Wells Fargo was issued a pair of these yuksters by law, thanks to legislation President Pierce forced through Congress in the spring of 1856 after enduring far too much competence and civility while traveling home after one of William L. Marcy’s legendary ragers. “No one could throw a party like a New York Whig,” Pierce famously told the Sacramento Union shortly before his election.

But enough of the history lesson. Steve decides that since his only clew is the business card for a coffee company in San Francisco that von Rinkton was carrying, he will visit San Fran. Thanks to some spies roaming around town, Braddock finds out about this trip and alerts Trina and Alex. Trina is sent to San Francisco immediately in an effort to beat Steve there, and we all try not to remember that Cathy owns the Wells Fargo and would know if and when Trina left town, and alert Idaho and Steve about the suspicious travel.

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Since everyone in this serial is exactly as stupid or as smart as the plot requires them to be, Trina does indeed get to San Francisco first, and alerts the Prussian disguised as an American at the Rackerby Coffee Company that Captain Bland will be arriving forthwith.

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And arrive he does, where he stands straight as a board made out of straightwood imported from the highlands of Straightenstein, in front of this Rackerby guy’s resplendent tusk-adorned desk. Because when you think coffee, you think elephants. Steve pretends to be a member of the gold raider gang and gives Rackerby one of the 1752 coins he’s found on some corpse or other, and Rackerby opens the coin. They can open! The coins contain secret codes! Rackerby looks up the code in his codebook and we learn each coin code is paired up with a spies’ real identity. This is the most exciting thing that has happened since poor Regis kicked it while surrounded by a bevy of uninterested supporting players.

Immediately to the front of the desk is a trap door, which Blandy Straighterson obligingly steps onto at a key moment, just as he figures out Rackerby is involved in the gold thefts.

raiders8-8“Ooh, so that’s why there was a trapdoor-sized area of floorboards right here.”

 

Tune in next week to see something-something-Prussian-something!

May Movies on TCM to Watch For

These monthly schedule posts are going away. Between deadlines and a desire to have time set aside for my own projects, I just can’t justify the several hours it takes for me to put these posts schedule posts together. Further, in recent months I have noticed Sundance shows commercials during a lot of their films, plus IndiePlex and RetroPlex show bad prints and shrink down Academy ratio films to almost unwatchable sizes (which perhaps look better on a widescreen television, but who knows). Fox Movie Channel has a lot of repeats, too. It’s just not worth it to list anything but TCM, and so many other bloggers do that better than I ever could.

This month, I’m posting a quick list of some pre-codes, Underground, silents and other films you might like. It’s possible you’ll see similar lists from me in the future, but I doubt I’ll make it a regular feature.

For great TCM roundups, I recommend my BBFF and runner up SBBN patron saint (he’s the go-to guy when El Brendel is busy washing his hat) Ivan at Thrilling Days of Yesteryear and his Coming Distractions posts.

TCM
All times Eastern.

Moonfleet (1955)
May 2, 6:15 PM
Fritz Lang film starring Stewart Granger as a buccaneer and smuggler, whose former lover sends her child to live with him. Starring George Sanders and Joan Greenwood, so that’s three great actors right there. Supporting is Vivica Landfors (four!) and John Hoyt and Jack Elam in small roles. Also, Granger wields a halberd. You have to see this movie.

stewart-granger-moonfleetImage courtesy Tietiecinema.

 

May 3 Pre-Codes:
7:00 AM The Heart Of New York (1932)
8:15 AM Side Streets (1934)
9:30 AM Two Alone (1934)
12:15 PM A Successful Calamity (1932)
8:00 PM Alice In Wonderland (1933)
9:30 PM No Greater Glory (1934)

Judex (1917)
French silent serial, which according to TCM is being shown out of order:
May 5, midnight: Episode 3, then the prologue, then episodes 1 and 2.
May 12, midnight: Episodes 6, 4, 7 and 5.
May 19, midnight: Episodes 8, 10, 11, 9, epilogue, then episode 12.

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May 9: Alain Delon Day:
ALAIN DELON, GUYS. YOU GUYS, ALAIN DELON.
6:00 AM Rocco and His Brothers (1960)
9:00 AM Purple Noon (1960)
11:00 AM Have I the Right to Kill (1963)
12:45 PM The Yellow Rolls-Royce (1964)
3:00 PM Once A Thief (1965)

May 13: Laurel & Hardy shorts, various language versions
6:45 AM Helpmates (1932)
7:15 AM The Live Ghost (1934)
7:45 AM Ladrones (“Night Owls”, Spanish) (1930)
8:30 AM La Vida Nocturna (“Blotto”, Spanish) (1930)
9:15 AM Tiembla Y Titubea (“Below Zero”, Spanish) (1930)
9:45 AM Noche De Duendes (“Laurel & Hardy Murder Case” & “Berth Marks”, Spanish) (1930)
10:45 AM Politiquerias (“Chickens Come Home”, Spanish) (1931)
11:45 AM Les Carottiers (“Be Big!” & “Laughing Gravy”, French) (1931)
1:00 PM Los Calaveras (“Be Big!” & “Laughing Gravy”, Spanish) (1931)

May 23: Frances Marion films
6:00 AM Without Lying Down – Frances Marion and the Powerful Women in Hollywood (2000) (documentary)
7:00 AM Coquette (1929)
8:30 AM The Last of Mrs. Cheyney (1929) – I generally hate Norma Shearer on principle, but this is terrific film.
10:15 AM Voice of the City (1929)
11:45 AM The Divorcee (1930)
1:15 PM The Life of the Party (1930)
2:45 PM The Office Wife (1930)
4:00 PM Kept Husbands (1931)
5:30 PM The Secret Six (1931)
7:00 PM Complicated Women (2003) (documentary)

May 23: Harold Lloyd shorts immediately following Frances Marion films. Many of these are billed as being rare, so they’re probably worth checking out.
8:00 PM Safety Last! (1923)
9:30 PM A Gasoline Wedding (1918)
9:30 PM Look Pleasant, Please (1918)
9:30 PM The Big Idea (1918)
9:30 PM By the Sad Sea Waves (1917)
9:30 PM Lonesome Luke, Messenger (1917)
9:30 PM Take a Chance (1918)
9:30 PM Bashful (1917)
11:00 PM The Freshman (1925)
12:30 AM Next Aisle Over (1919)
12:30 AM Just Neighbors (1919)
12:30 AM A Sammy in Siberia (1919)
12:30 AM Spring Fever (1919)
12:30 AM Young Mr. Jazz (1919)
12:30 AM The Marathon (1919)
1:45 AM The Kid Brother (1927)
3:15 AM Captain Kidd’s Kids (1919)
3:45 AM His Royal Slyness (1920)
4:15 AM Now or Never (1921)
5:00 AM Hot Water (1924)

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The Coward (1915)
May 26, 3:15 AM (early morning the 27th)
A Confederate deserter stumbles on the chance to redeem himself.

The Cranes Are Flying (1957)
May 26, 4:30 AM (early morning the 27th)
Russian film about a woman who fears for her boyfriend sent off to fight in WWII.

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As always, feel free to list movies you want to give a shout-out to in the comments — any movie, any channel, as long as it’s during this month!

Delays, Delays

Between backhoe-induced insomnia (long story) and several pending deadlines, I won’t be posting a Raiders of Ghost City recap this week. I intended on getting a nice picture from Raiders to post here in lieu of content, but when I did an image search, all the good images I found were from SBBN. Looks like yours truly is the current internet expert on Raiders of Ghost City, which is a hell of a thing to say about me and you’d better take that back before I get really mad.

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Meanwhile, the coolest picture of Regis Toomey I’ve ever seen, from that classic 1948 movie you’ve never heard of, I Wouldn’t Be In Your Shoes.

Hit Me With Your Best Shot: A Star is Born (1954)

For Film Experience’s Hit Me With Your Best Shot series, my screencap for A Star is Born (1954):

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There are a dozen iconic shots from A Star is Born: the “Mrs. Norman Maine” finale, Judy reenacting her day at the studio for James Mason, that gorgeous moment when Judy rushes at the camera and it’s blurry because technology simply can’t keep up with her joy. Or the early backstage scenes with red backlighting and ballerinas, an aesthetic that borrows more than a little from the Powell-Pressburger The Red Shoes.

I chose the above instead of any of the prettier or more recognizable scenes because it’s a scene I always forget, despite having watched A Star is Born probably about a dozen times, all told. It’s one of my favorite films, and I love every damn second of it: The overzealous off-screen fan mimicking the outdoor breeze, Judy explaining how everything is all “burgered together,” the tiny shower in that travel trailer, all of it. I love it so much that if you asked me on any given day, I’d tell you I have it memorized, and I would be certain I was telling you the truth.

It’s not the truth. I always forget the scenes that lead up to that moment above, with Matt Libby (Jack Carson) as the semi-skeevy, semi-adorable publicity agent for the studio, looking down on a passed-out-drunk Norman Maine (James Mason), remembering everything Norman put him through that night.

See, Norman Maine is a violent man. It’s shocking how violent he is, not just in attitude toward the publicity man, but the bullying of others, the punching and shoving, even of Esther (Judy Garland) while she was on stage. He got away with it because he was a star, because the spotlight just never caught him as he harassed everyone on stage after wandering out there drunk… and because Esther ended up falling for him.

We never know if she falls for him because he’s violent or despite it. All we know is that violence is the only solid recourse Norman has for any of his problems, whether it’s violence to others or himself. But even if it’s to himself, even if he thinks it’s the punishment he deserves, his violence always hurts others more than it hurts him. One of the people hurt is Matt Libby; as much as we’re supposed to believe the publicity agent is a rotten person — and he’s played by Jack Carson, just seeing him in the role means we’re to automatically regard him as underhanded and untrustworthy — no one deserves the treatment Norman Maine heaps on him backstage.

Libby gets Norman home and helps him into bed, as Maine’s butler assures him that Maine is out for the night and will sleep like a child. Libby’s face briefly falls into shadow as he muses, “Yeah. Like a child with a blowtorch.”

Raiders of Ghost City #7: Bullet Avalanche

raiders-poster-350pxLast week on Raiders of Ghost City! Steve is captured by some raider henchmen and pretends to have amnesia. While they get all chin-scratchy about whether he’s really not right in the noggin or not, Carl Lawton, real name Count Manfried von Rinkton, arrives. Lawton is the head of the Oro Grande branch of the Prussians-disguised-as-Americans-stealing-gold gang, and briefs the no good stinkin’ Prussians on their objective: Steal gold, buy Alaska. He wanders into the henchmens’ underground lair in Ghost City just in time to see Steve about to make his getaway. Rinkton puts Steve in a makeshift 1864 version of a Whirlpool Wash-O-Matic trying to torture information out of him, but just as Steve is about to either drown or be clean for the first time in this decade, Idaho Jones arrives and distracts the henchmen. Will anyone survive? If Regis Toomey is listed in the credits, does that mean he’s returned or did he find a new and better life as a featured player in an Ann Sheridan flick? Stay tuned to find out!

As always, feel free to follow along on the YouTubes here.

***

The intro writers clearly weren’t forced to watch the show they’re summarizing on a weekly basis:

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Steve is not on Carl Lawton’s trail. He doesn’t know who Lawton is; hell, he doesn’t even know the raiders are Prussians. Nobody does, not even the chinbeards in D.C. The last Steve knew, he was riding off to get Toomey’s killer, the man who shot the Toomster before he could reveal what was really going on with the gang. Steve was captured and is still with the henchmen as this chapter begins. While Lawton (real name: Count Manfried von Rinkton) did wander into the lair and ramp up the torture, Steve probably doesn’t know the guy’s name, let alone that he’s really a Prussian in disguise. As far as he knows, the raiders were a Confederate gang… and they should all be assuming that the gold robberies will stop, because with no Confederate Army in need of gold, there’s no reason to keep robbing Union trains.

Best case scenario is this stupid intro was trying to prevent the audience from expecting logic. Worst case scenario: they just made shit up. You be the judge.

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Back at the Wells Fargo, Rawhide is sleeping off the shenanigans from last episode, while those two gossipy guys, the Statler and Waldorf of the Wells Fargo office, keep an eye on him. The coot on the left is the stage driver, while the coot on the right is a telegraph operator, but their true purpose in this serial is to provide exposition when things need to be explained. They’re generally pretty irritating, though today they’re being used to recap the single craziest thing that has happened thus far in Raiders: Cathy, Idaho and the doc shoving guns into Rawhide’s face, faking an injection of poison and letting him take an entire bottle of sleeping pills, thinking they were the antidote. Fortunately, these were Looney Tunes Brand sleeping pills (“As prescribed by Dr. Sigmund Fraud!”) which put people to a gentle sleep, complete with goofy Elmer Fudd grins on their faces.

Idaho, still caught between two groups of henchmen in the cave, fakes being shot so he can fall and roll to the other side of the passage…

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…where he shoots Count Manfriend von Rinkton dead. That’s right, this guy, who is credited at the beginning of every single episode of this serial and who is touted as the damn ringleader of the bad guys, got all of six lines before being killed off. Idaho also kills the other henchman standing near Rinkton, played by Robert Barron, who happened to play the role of “Prindle” in the most recent “Don Winslow of the Navy” my BBFF Ivan recapped for his Serial Saturdays.

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These two blurry cowards are Buck and Braddock, running away, the latter declaring  “I ain’t no hero!” The myriad problems caused by low-quality henchman are never not hilarious to me.

Cathy and the doc arrive just in time to see Idaho fishing his friend out of the walk-in shower tub, and also in time to hear Idaho say Steve was just pretendin’ to be a whale. Yeeaaahhh… see, they hadn’t invented humor yet in 1864…

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Steve gets out of the death tub and immediately starts rifling through the pockets of corpses, because he is our hero.

He finds a 1752 coin (the exact same one the good guys already had in their possession last episode; three cheers for the continuity guys again) and a business card for The Rackerby Company in San Francisco. A clew!

Buck and Braddock, after changing out of their scaredy pants and into clean duds, approach Alex and ask what they should do about Rawhide. Usually, the gang kills captured members before they can talk — that’s how we lost Jeff-Jim and Regis — but this time, Alex knows Rawhide is beloved and decides to rescue him instead. Besides, he has a bigger problem: Rickton’s luggage is still on the stage, and he’s afraid the luggage has paperwork that will reveal their plans. Trina is given orders to pack to get out of there in case the jig is up, while Alex tries to maneuver a way out of this mess.

Meanwhile, Braddock seems to have figured out there is something fishy going on with Alex. Here, he tells Slim (veteran Western supporting player Budd Buster) that he’s considering distributing the gold and disbanding the raiders because of his distrust of Alex.

raiders7-6It’s hard to tell, but those bullet holes are in a similar pattern to the ones in the RV door on “Breaking Bad.”

 

Suspecting that the culprits will show up to rescue Rawhide, Steve and Idaho concoct a little trap. When Trina arrives for the first stage outta there, Idaho gets suspicious, but because he is a dink who needs to size up on his hat so his brain can get blood every now and then, he gives Trina a coin when asking her if she’s ever seen one before. Just then, henchmen arrive to bust Rawhide out of his sleepytime prison, and Trina pockets the coin during the chaos.

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The henchmen, including their newly-freed friend, are sent to intercept the stage with Rinkton’s luggage. Idaho and Steve get there first, but only barely. They fake the henchmen out by taking the wrong suitcase, letting the stage go through with the right one and instructions to deposit the case with Cathy at the Wells Fargo. The henchmen chase after Steve and Idaho, eventually cornering them in an area that I assume is the Corriganville Movie Ranch.

It’s a showdown between these two:

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And these two:

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Yeah. We’ll be waitin’ on the edge of our seat to find out who prevails. But first, check out this final shot from the episode:

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Letters made out of bones! Family entertainment, everybody!