The White Elephant Blogathon: Clara Bow and It (1927)

Caution: Spoilers ahead! *** Truth be told, I consider The White Elephant Blogathon a chance to inflict pain, suffering, discomfort, loss of appetite and slight headache upon some poor unsuspecting soul. That’s why I proffered up Universal Soldier: The Return and Big Trouble in previous years, irritating the recipients so …

Ladies’ Man (1931)

Caution: Spoilers Ahead! One of the first lessons for fans of early film is perhaps also the hardest: many pre-Codes and early talkies are simply no good. The technological limitations, the era, the changing morals and styles, even when acknowledged, fail to fully excuse many of these indifferent programmers. Ladies’ …

The Gone Too Soon Blogathon: Marie Prevost

Edit 07/06/2013: For anyone interested in doing their own project on Marie Prevost, please make sure to read the note at the bottom of the page. Thank you. This post originally appeared at https://www.shebloggedbynight.com/2012/03/gone-too-soon-blogathon-marie-prevost.html and a copy can be found on the Internet Archive here. *** Almost exactly one year …

Neil Diamond’s Birthday (And Sordid Past)

What’s knittin’, Kitten?   There is no better way to celebrate Neil Diamond’s 71st birthday than to tease him about the questionable things he did when he was young. Everyone, go thank Capricornonevintage on Flickr for making your day just a little bit brighter. Then send your happy birthday wishes …

The Italian Horror Blogathon: Dario Argento’s Jenifer and Pelts

Italian director Dario Argento is known for his giallo films featuring excessive style, bloodshed and sex. His surrealist and controversial horror thrillers of the 1970s are often cited as some of the most influential films by modern horror filmmakers. In the mid-2000s, Argento directed two episodes of the Showtime “Masters …

The Torture in Store: Ken Russell’s Gothic (1986)

Gothic is a wild mix of the beautiful and the grotesque, intriguing philosophical questions and empty MTV-era visuals, cloaked in an impossible melange of cobwebs and goats and sex and leeches. The film borrows thematic styles at whim, everything from David Lynch to Fellini’s exquisitely debauched Casanova (1976) to Hammer …

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