The Woman in White (1948)

The Woman in White (1948)

Woman in White is a post-Code lurid Gothic horror, and as such pushes its own boundaries within the genre, mostly through the character of Count Fosco. It’s interesting to note that the film was made in 1946 and not released until 1948, when standards had lessened to a degree; I can’t imagine Frederick’s assertion that he personally has no problem with pre-marital sex being allowed in a film in 1946. But concessions were apparently made to appease the Production Code, and by the time the useless and unstable Frederick reveals himself to be a libertine, he’s been so sufficiently coded as evil and gay that his open-mindedness is easy to overlook.

Completely Delightful Nonsense: Marion Davies in The Florodora Girl (1930)

Completely Delightful Nonsense: Marion Davies in The Florodora Girl (1930)

Not precisely a revival nor a biopic, the 1930 Marion Davies vehicle The Florodora Girl takes little more than a name and the vague idea of a Florodora Girl and transplants her into pre-Code Hollywood, and to strange, though not uninteresting, effect. So light at times that it looks as though it will blow away, reviewer Creighton Peet of The Outlook dubbed The Florodora Girl as “completely delightful nonsense.”

Clifford (1994)

Clifford (1994)

It’s 2050, and creepy priest Father Clifford (Martin Short), at a location meant to look like a Christian orphanage, is talking young Roger (Ben Savage) out of running away. He understands that Roger is running away because something-something-intelligence-boredom, thus begins a heartfelt tale of his own struggles to deal with an overactive imagination when he…