A Game of Death, RKO’s remake of their 1932 classic The Most Dangerous Game, was one of Robert Wise’s earliest directorial efforts, and was praised by critics on its release.
Loophole has tension and suspense, but its best moments are subtle ones: wide-eyed silence over a polite afternoon tea, a banker spending the very money he is lending, the ancient love letters floating in sewage after robbers threw these worthless items away.
This political thriller wears the mask of a cozy murder mystery, the sunny days and party lights and comfortable wool blend sweaters distracting from the high body count. Internecine is the rare film that can justify its light content, withholding explanations because it trusts the audience to be smart, to not need any hand-holding to understand the plot. The Internecine Project is a quiet little film that is long overdue for a reassessment.
Daisy Kenyon (Joan Crawford) is a successful commercial artist in love with the high-powered (and very married) attorney Dan O’Mara (Dana Andrews), the kind of smooth operator that charms everyone but his beleaguered wife (Ruth Warrick). At an uncertain point in their affair, Daisy meets the sensitive war veteran Peter …
Mabuse is a timeless character: irretrievably depraved, charismatic, over-the-top and sarcastic, the kind of evildoer who just really loves his job.
Christopher and Katy (played by Mark Lester and Chloe Franks, respectively) are troubled siblings who spend their days at the orphanage dodging the mean adults who work there and refusing to speak at all. They both hope to go to the lavish annual Christmas party held at the mansion of …
It’s that connection between the corrupt past and the corrupt neo-Soviet present that gives The Russian Woodpecker its heft. The film never unearths anything startling, and its attempts to fool you into thinking it has are done in bad faith, but the film remains a compelling reminder of just how quickly we humans tend to fall back into old habits, even old habits that are likely to kill us.
The Taking of Pelham One Two Three is one goddamned entertaining film. Pelham is also exciting, especially for a film that consists largely of guys talking into radio mics at people they’ve never seen. Matthau is tough and confident — so confident, in fact, that he handily pulls off wearing the most beautiful, outrageous clothes, two yellow and red catastrophes duking it out with each other across his chest throughout the entire film.
Gold is an odd little bird, irresistible and entertaining despite being a bit thin on plot. It’s believable and thoughtful and the performances range from good to fantastic. It’s hard to imagine getting all worked up over alchemy here in the amazing futuristic year of 2016, but it’s easy to do with Gold.
Still, may the gods help me, there is a lot to like about Candy. Does it open with unwarranted psychedelia? Yes! Does it make any sense? No! Is it an attempt by the establishment to infiltrate the counterculture and make a buck off of it? Oh, hell yeah it is; this thing is as bad as Skidoo in that regard, and if you love watching old guys trying to be hip as much as I do, you will love this film.