Johnny Moon (William Shatner) is a loner and wanderer in the unsettled American West, on a mission to find his long-estranged twin brother Notah (also Shatner) and settle a score. Both men are of mixed race, half European white and half Native American, and while Johnny identifies as a …
When a Hollywood production company discovers they have a half million dollars in unclaimed profit they have to lose to avoid prosecution by the Feds, they come up with a wacky scheme: to film a truly awful television pilot so bad it guarantees a loss. The president of the company …
A series of cute pencil sketches and a light mambo-esque theme song in the opening credits hardly prepare us for the first frames of Kill or Cure (1962), a wacky British comedy-murder mystery starring the delightful Terry-Thomas. As the theme song (featuring someone who sounds an awful lot like Thurl …
Irish nationalists plot to rob the supposedly impenetrable Bank of England at the turn of the last century in the 1960 caper flick The Day They Robbed the Bank of England. The brainchild of a man known only as O’Shea (Hugh Griffith), the robbery is less about the money than …
Though it should rightly be an ensemble cast film, Night Must Fall, made as a follow-up to Albert Finney’s post-Tom Jones fame, is all his. He is undeniably the center of this movie, and he gives an incredible performance.
Poster for The Fan (1981). Be ye warned, gentle readers: there are spoilers ahead! “What is this ‘bliss’ shit?” shouts Belle Goldman, beleaguered assistant to Broadway star Sally Ross. A series of disturbing letters have been arriving for the aging star, but Belle can’t get Sally to understand …
Thank you all for your patience during this unintentional hiatus, brought to you by seasonal colds, internet outages and unpleasant traveling for even more unpleasant business. But enough holiday cheer! Things are back and hoppin’ here on SBBN, so let’s get to it. Like all good GenXers, I spent all …
Troubled hotel handyman Jason (Randolph Roberts) dons a creepy mask and dispatches beautiful blonde women in the 1973 slasher flick Wicked, Wicked. Filmed in a split-screen format called Duo-Vision used for most, but not all, of the film’s runtime, the audience is ostensibly treated to both the killer’s and the …
The son of a millionaire department store owner is throwing a bash on his last day of “freedom” in 1929’s Why Be Good?, the long-lost silent film, recently restored and released on DVD by Warner Archive. What this rich kid means by “freedom” is really “being almost 30 and only …
Possessed (1947) was the third of Joan Crawford’s films for Warner Bros., the studio who snapped her up when her long-time home MGM, where she had been since the silent era, decided to cut her loose. Crawford was one of the few, if not only, actresses who managed to weather …
