Diana Dors: Deep End (1970)

On first viewing, I was convinced that this was another example of lackluster shock film-making of the era. On a second and complete viewing, I now think Skolimowski fully intended his characters in Deep End to be so selfish and confused that they appeared soulless, but the film unfortunately veers into sexism in a way that undermines any intended message, unless the message was “women be bitches.” Which, honestly, it might have been.

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