Bette Davis Project #9: Hell’s House (1932)

“Hell’s House” (1932) is an odd film. It’s part drama, part social commentary /exploitation, part juvenile delinquency film, and all badly-made quickie. For evidence of the quality of this film, just check out the title screen. Who did that, the director’s 8-year-old nephew? More than anything, this is a boring …

Bette Davis Project #8: The Dark Horse (1932)

The Dark Horse (1932), a goofy political satire, aired on TCM last November during their series of films about political elections. In Dark Horse, the Progressive Party of an unnamed state finds themselves deadlocked between two choices when nominating their gubernatorial candidate. The delegates who support one candidate get the …

Bette Davis Project #6: The Rich Are Always With Us (1932)

Ruth Chatterton is Caroline Grannard, the daughter of a fabulously wealthy tycoon and wife of handsome businessman Greg (John Miljan). Caroline often lunches with Julian Tierney (George Brent), a handsome journalist who is in love with her, but while she enjoys his company she makes certain he knows she’s not …

Bette Davis Project #3: Housewife (1934)

Housewife (1934): Bill Reynolds (George Brent) and wife Nan (Ann Dvorak) are happily married but struggling financially and quite frustrated with everyday irritations. Nan tries to get Bill to apply for better jobs because she’s disappointed that he is such a milquetoast, and of course this attitude strains their marriage …

Bette Davis Project #1: “Fashions of 1934”

William Powell plays Sherwood Nash, a con artist who fails at one con and, when he stumbles into newbie fashion designer Lynn Mason (Bette Davis), is inspired to create a new con: knock-offs of original fashion dresses. Nash’s true motivation is to irritate legitimate designers so they will hire him …

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