Bette Davis Project #7: “The Man Who Played God” (1932)
Let’s just get this out of the way: George Arliss is damned creepy. His face looks like a naked skull, and the over-dark lipstick, eyeliner, and what I think is makeup around his nostrils freak me the hell out. In “The Man Who Played God” (1932), Arliss — who was …